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New York Times, February 7 1991, C, 26:1
"John Williams: A Brief Biography," Tony Thomas
Cue Sheet, March 1991, 8:1, 3-4
"Interview with John Williams," Tony Thomas
Cue Sheet, March 1991, 8:1, 6-15
"John Williams: The Television Work," Jon Burlingame
Cue Sheet, March 1991, 8:1, 16-20
"The Motion Picture Music of John Williams: A Selected Bibliography of the Literature," Stephen M. Fry
Cue Sheet, March 1991, 8:1, 22-27
"John Williams Filmography," Clifford M. McCarty
Cue Sheet, March 1991, 8:1, 28-30
"John Williams Unveils Premiere in Riverside," Richard S. Ginell
Los Angeles Times, April 15 1991, F, 7:1
"Gala tonight launches Pops' star-filled season," Richard Dyer
Boston Globe, May 7 1991, 61
"Pops get better every year, says eager conductor," Ellen Pfeifer
Boston Herald, May 8 1991
"Doug Yeo solos with Boston Pops"
International Trombone Association Journal, n4 1991, 19:10-11
"Pops Tops: Conductor John Williams dreams up his all-time fantasy lineup," Howard Gensler
TV Guide, August 10 1991, 39:32, 14
"John Williams: Scoring the Central Line," John Caps
Cue Sheet, September 1991, 8:3, 110-117
"John Williams Offers Reruns at the Bowl," Richard S. Ginell
Los Angeles Times, September 10 1991, F, 6:1
"Pops' Williams to retire in '93," Richard Dyer
Boston Globe, December 20 1991, 1:1+
"Williams and the art of the Pops," Richard Dyer
Boston Globe, December 20 1991, 53:4+
"Williams to Pop into retirement," Ellen Pfeifer
Boston Herald, December 21 1991
"John Williams to Leave Boston Pops," Peter Catalano
Los Angeles Times, December 21 1991, F, 4:1
"Hook, JFK are latest hits with the John Williams touch," Richard Dyer
Boston Globe, January 19 1992, A, 5:1
"Recording the Boston Pops." Bob Laber
Instrumentalist, April 1992, 46:28+
"Pops opens in style," Richard Dyer
Boston Globe, May 3 1992, B, 29:1+
"About to Pop: John Williams looks ahead to the Pops' new season and his 1993 departure," Ellen Pfeifer
Boston Herald, May 3 1992
"Pops' John Williams finds his musical `Vatican'," Andrew L. Pincus
Berkshire Eagle, July 19 1992
"Boston Pops' John Williams doesn't mind omitting the shark," Melinda Bargreen
Seattle Times July 23 1992, D, 4
"John Williams hits the road," Richard Dyer
Boston Globe, July 24 1992, 45:3+
"A Boston Pops Tour With a Farewell," Rena Fruchter
New York Times, July 26 1992, NJ, 12
"Origins of those Olympics themes," Jon Burlingame
TV Update, July 26 1992
"Williams Pops In For Farewell Tour," Wynne Delacoma
Chicago Sun-Times, July 30 1992
"A change of emphasis; John Williams' decision to reorder his artistic life frees him to spend more time composing serious works," Peter Catalano
Los Angeles Times, August 2 1992, CAL, 46
"Life after Boston Pops," Elizabeth Chur
Chicago Tribune, August 2 1992, 5, 3:1
"There's no doubt John Williams knows the score," Michael Fleming
St. Paul Pioneer Press-Dispatch, August 2 1992, D, 1
"Mysterious presence spooks Tanglewood," Jeff Doan
Associated Press, August 2 1992
"Maestro of the Mainstream: Williams scores with Pops and Hollywood," David Patrick Stearns
USA Today, August 3 1992, D6
"Williams prepares to drop from Pops," R. M. Campbell
Seattle Post-Intelligencer, August 7 1992
"Williams leads orchestra between worlds of film and musicals," R. M. Campbell
Seattle Post-Intelligencer, August 10 1992
"Williams' final Bowl show rings true," Greg Hettmansberger
Los Angeles Daily News, August 11 1992
"H. W. Spencer; Composer and arranger"
Los Angeles Times, September 22 1992, A, 22
"Obituaries: Herbert Spencer"
Variety, September 28 1992, 84:2
"The Williams whirlwind: Dinosaurs, Sinatra CD his busy final year with the Pops," Richard Dyer
Boston Globe, May 9 1993 B, 1:5+
"Passing the baton: John Williams looks back over his 13-year career conducting the Boston Pops," Ellen Pfeifer
Boston Herald, May 9 1993
"Pops in Tokyo: Ozawa steals the show," Charles A. Radin
Boston Globe, June 11 1993, 41:2+
"John Williams Scored 'Em," Jeanne Wolf
TV Guide, July 3 1993, 41:27:28-9
"Who will top the Pops?," Richard Dyer
Boston Globe, July 4 1993, 1:2+
"An Interview with John Williams," Yann Merluzeau
Soundtrack!, p4+, ??? 1993
"The Spielberg Williams Collaboration," Alan Frazer
Music from the Movies, ??? 1993, 4, 5-12
"Pops star: the legacy of John Williams," Richard Dyer
Boston Globe, December 12 1993, B, 21:1+
"Pops conductor says long goodbye"
Boston Herald, December 17 1993
"John Williams' final bow," Richard Dyer
Boston Globe, December 20 1993, 65:2+
"John Williams has been a fan of Steven Spielberg for 24 years," Richard Dyer
Boston Globe, December 20 1993, 21
"Conductor John Williams Gives Farewell Pops Concert"
Morning Edition (NPR), December 21 1993
"Person of the Week: John Williams"
World News Tonight (ABC), December 23 1993
"Star Wars: Anal-retentive trivia on the lost music, the lost scenes, and so on," Lukas Kendall
Film Score Monthly, Jan/Feb/March 1994, 41/42/43:26-29
"Eloquent Movies With Eloquent Soundtracks," Stephen Holden
New York Times, January 30 1994, H, 28:1
"Williams to stay on as Pops adviser," Richard Dyer
Boston Globe, February 4 1994, 47:4
"John Williams: making movie-music history," Richard Dyer
Boston Globe, March 20 1994, B, 1:5+
"Williams, Feinstein give Pops a grand opening," Josiah Fisk
Boston Herald, May 13 1994
"A gala in the name of Ozawa: Hall in his honor rings into play at Tanglewood," Richard Dyer
Boston Globe, July 8 1994, 1:1+
"Music review: New Ozawa Hall opens to future," Richard Dyer
Boston Globe, July 8 1994, 41:3+
"Music Review: Tanglewood, Changed but the Same," Edward Rothstein
New York Times, July 9 1994, 13:1
"Williams concerto christens Tanglewood's Ozawa Hall," David Patrick Stearns
USA Today, July 11 1994, 6
"Celebrating Ozawa Hall," Tim Page
Newsday, July 11 1994, B, 2
"Compared to Ronstadt, remainder of Hollywood Bowl program is no good," Scott Duncan
Orange County Register, July 14 1994
"Williams heads west after `renewal' at Tanglewood," Ellen Pfeifer
Boston Herald, August 30 1994
"John Williams in concert at Ravinia, IL," Stephen Taylor
Film Score Monthly, September 1994, 49:20
"Seiji Ozawa's New Hall," Shirley Fleming
American Record Guide, Sep/October 1994, 38-39
(review of cello concerto)
"Heard But Unsung: Scoring At The Movies," Joe Goldberg
Billboard, September 10 1994, 56+
"A conversation with John Williams: from Schindler's List to the Cello Concerto," Yann Merluzeau
Cantina Band, Winter 94/95, 18:2-5
"The Time Tunnel: The Symphony No. 1 (revised); the Flute Concerto"
Cantina Band, Winter 94/95, 18:6
"No Sin in Cinema," Chester Lane
Symphony, Jan/February 1995, 32-36+
"Film Music: The Good, the Bad and the Ugly," Royal S. Brown
Cineaste, XXI, 1-2, 1995, 62-67
"New Century orchestra improves," Allan Ulrich
San Francisco Examiner, January 24 1995, C, 2
"New Century's Enthusiasm Dimming," Joshua Kosman
San Francisco Chronicle, January 25 1995, E, 2
"John Williams and the Minnesota Orchestra," Bob Protzman
St. Paul Pioneer Press, February 24 1995, E, 1
"New Division Leader at Sony Records"
New York Times, March 8 1995,
"A conversation with Leslie Bricusse," Yann Merluzeau
Cantina Band, Spring 1995, 19:2-7
"Front & Center," Lisa K. Marum
New York Philharmonic program book, April 1995, 8-14
"The Five Sacred Trees, Concerto for Bassoon and Orchestra," Bernard Jacobson
New York Philharmonic program book, April 1995, 22-23
"Lockhart, stars to shine for Boston Pops' season," Richard Dyer
Boston Globe, April 4 1995, 68:1
"Spotlight on an Orchestra's French Horn Players," Allan Kozinn
New York Times, April 15 1995, A, 12:1
"John Williams's symphonic forest for the trees: Bassoon concerto receives world premiere," James Miller
Film Score Monthly, May 1995, 57:4
"Lockhart and Pops get off to rousing start," Richard Dyer
Boston Globe, May 11 1995, 65
"Ozawa and BSO meet success with All-Mozart program," Richard Dyer
Boston Globe, July 11 1995, A, 47:1
"Birthday boys share gifts," Richard Dyer
Boston Globe, July 24 1995, A, 30:2+
"Williams, Ma: To Each His Own," Chris Pasles
Los Angeles Times, September 7 1995, F, 1:2+
"Williams, Philharmonic Please the Bowl Throng," Timothy Mangan
Los Angeles Times, September 11 1995, F, 6:3
"Running up the scores: With little fanfare, a new crop of composers is revitalizing the art of film music," Michael Walsh
Time, September 11 1995, 146:11
"Judith LeClair Premieres John Williams' Bassoon Concerto with the New York Philharmonic," Lisa Chisholm
The Double Reed, Fall 1995, 18:2, 65-66
(reprinted from the May 1995 Juilliard Journal)
Page last modified
June 05, 2006
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